Archive for December, 2007

Doctor Who and The Amazing Adventure of the Wooden Sidekick

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Pop Vultures is happy to welcome Anna Carey to the fold. Among other things, she will be handling Doctor Who throughout its upcoming 4th season run on this side of the Atlantic. She kicks things off with a look at this year’s Christmas special, a heart-warming tale of a woman who can’t move her face and the man who pretends not to notice.

Look, over there! Who is that tiny curly-headed blonde sprite? Can it be….no, surely not….yes! It’s Kylie! Kylie, Kylie, Kylie! Oh, like you didn’t know. Ever since Russell T Davies and the rest of the Doctor Who team announced that the Doctor’s temporary companion for Christmas special ‘The Voyage of the Damned’ was going to be Ms Minogue, every publication from broadsheet colour supplements to Heat magazine have run features on the diminutive (and, of course, heroic) pop princess’s return to acting for the first time since those glorious films Street Fighter and The Delinquents (a film to which my best friend at school optimistically organized an outing for her 14th birthday. That was a mistake).

kylie minogue doctor whoSadly, Kylie seems to have become even more wooden since then. Was she always such a bad actress? I mean, I’m 32, old enough to have watched Neighbours back in the days when it was only on in the middle of the afternoon and hence could only be watched in the school holidays. I remember Kylie’s entire career as spunky mechanic Charlene Mitchell. I can still remember the song that was played at her wedding to Scott Robinson (‘Suddenly’, by Angry Anderson). And I don’t remember her being quite so crap. Then again, I was only about 13 when she left for “Brisbane” (aka the black hole for all residents of Ramsay Street), so perhaps she was always a charisma-free clunker. Surely, however, a programme as fun and smart as Doctor Who will bring out the best in her? Well, not really. I hate to say this, but, enjoyable as it was, this special was not up to the programme’s usual standard.

I thought the third series of the all-new Doctor Who was the best yet. Sure, there were a few less than stellar episodes, like the much-maligned ‘Daleks in Manhattan’, which, I have to say, I didn’t totally hate — it was stupid, but kind of fun. Still, the good episodes, particularly ‘Human Nature’, ‘Family of Blood’, ‘Blink’ and ‘Utopia’ were so fantastically, wonderfully brilliant that they would have made up for anything else.

But although I really liked Martha, and was sorry to see her go, I’m getting a little tired of the companions having to fall in love with the Doctor. I mean, I don’t blame them – he’s David Tennant wearing a pinstripe suit and Converse, after all – but it’s a bit much. In fact, perhaps the only good thing about the impending arrival of the dreadful, shouty Catherine Tate as the Doctor’s next companion, Donna, is the fact that when Donna made her debut in last year’s Christmas special she showed absolutely no signs of falling for the Doctor (and they’d better not turn that into some sort of love/hate Moonlighting thing, that’s all I’m saying). Anyway! Even if Kylie had not been more wooden than, well, a block of oak, I would have been annoyed by the inevitable hint of romance between her and the Doctor. Unfortunately, Kylie, who has been rendered unable to express any emotion thanks to all the Botox she’s been pumping into her face for the last decade (seriously, I reviewed the Dublin leg of her Showgirl tour a few years ago, before she got sick, and the upper half of her face DOES NOT MOVE, EVER. It’s really creepy), was indeed more wooden than the average forest. It’s almost impressive how little her face moves. But kind of unhelpful when she’s meant to be the emotional heart of the episode.

Keep reading for a spoilerific recap of the Doctor Who Christmas special.

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Spelling Interrupted

Looking for Spelling Saturday? Sorry, but it’s taking the week off while I recover from jet lag. Yep, I’m back from the U.S., having spent an entire week in a house with DirecTV and never turning the TV on. I don’t even think I’m ill.

I plan to make up for lost time today with Season 4 of The Wire. The Adventures of Brandon and Brenda will return next week.

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5 Great Television Moments of 2007

In a year full of some dreadful television moments (the cancellation of Veronica Mars, the slow death of scripted programming, the triumph of Eric and Danielle on The Amazing Race), we can at least give thanks for these glowing sparks of light in the broadcast darkness.

5. The Panthers win state! The Panthers win state! Forget the Grinch; I think my heart grew two sizes just from watching the season finale of Friday Night Lights. For a show so steeped in the heart-breaking realism of day-to-day life, it seemed possible that they’d end the series with some sort of poignant statement on the nature of loss. Of course, I forgot how well this show balances moments of loss with glimpses of hope, and oh! That ending! A joyous, vibrant and utterly irony-free conclusion to a beautiful season of television.

4. Flight of the Conchords tells us about “Inner City Pressure.” Trying to pick the best Conchords song is like trying to narrow down the greatest Ben & Jerry’s flavor: there are just so many to choose from (though it’s got to be Cherry Garcia, for real). For my money, “Inner City Pressure” narrowly claims the victory through its lyrical superiority (this is surely the first song to ever rhyme “abuse me” with “muesli”) and spot-on pastiche of Pet Shop Boys-esque Europop.

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Looking Back: PV in 2007

Pop Vultures turned three months old this month, but that’s not going to stop us from doing a year-in-review of links. Below, the most popular posts from PV’s inception to sometime last Friday.

September

  • Marcia kicked things off with an explanation of just why she loves television and why she refuses to feel guilty about it.

October

November

  • Marcia compiled a helpful list of 21 ways to survive the writers’ strike, though the last item on the list is starting to look a bit silly.
  • Plattie contributed several wonderful pieces on highbrow BBC programming, but it was Strictly Come Dancing that won the popularity contest — just like it did in the ratings.
  • Jess was kind enough to share her Spelling love with us all through weekly recaps of Beverly Hills 90210, proving that we are never too old to go back to high school (though we are much, much better dressed).

December

  • Marcia created her Christmas wishlist. So far, she’s 0 for 12 — and she didn’t get a Wii, either. She might need to have a word with the fat man.
  • We wrapped up the year by thinking much too hard about television opening titles, with posts on the 5 best theme songs and 5 best opening credits. As usual, no one agreed with the selections.

Thanks for reading and helping to make these first three months so great. Also, we plan to celebrate the sixth-month anniversary with fireworks, a chili cook-off and pony rides, so stick around for 2008. American Idol isn’t going to make fun of itself, you know.

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It’s Christmas Time on the Telly

This is the first time in three years that I’ve returned home for Christmas. The previous two years I spent with a family in Cornwall, celebrating Christmas the UK way.

Now, you would expect the food to be a bit different, and it was. The British menu is far more likely to include cabbage and Christmas pudding (a dense fruitcake that has nothing in common with the US definition of pudding) and you will probably find Christmas crackers on every table, which are opened to reveal paper crowns or some sort of random gizmo. Last year, I got a tape measure, which makes me question what I was meant to be doing on Christmas Day. Was I expected to measure for a new outfit? Do some impulsive DIY? Still, the trees, decorations and presents all remain the same in either country.

The real difference, however? Christmas TV.

I’ve had a lot to adjust to since moving here: measured shots in bars, incomprehensible banking laws, the alternative definition of “toss.” None of those made me furrow my brow quite so much as a glance at the UK Christmas TV grid.

In the US, Christmas television is a wasteland of old films, nostalgia cartoons and the occasional sporting event. Families are, it seems, expected to talk to each other on this most joyous of holidays. If they do choose to gather around the television, it will be to watch something they’ve seen so many times before that it doesn’t actually require any of their attention. It’s a Wonderful Life is a genuinely good film, but no one has actually watched it from start to finish in about twelve years. It’s background noise at Christmas, an accompaniment to the kids putting together their new train sets or the clatter of pans in the kitchen. In my extremely sexist traditional family, the sporting event was a way to keep the men quiet while the women cooked. No one was actually meant to watch the programs.

In the UK, however, they bring out their big guns. The Doctor Who Christmas special, new BBC originals, the Queen’s speech — they expect you to be watching. Newspapers print complicated listings to help you best prepare for the holiday marathon in front of the television, and families often plan their Christmas meal around a special episode of EastEnders, in which someone will almost certainly die or commit adultery in a truly festive way. It’s still considered family time, as the wealth of kid-friendly programming suggests, with one key distinction: on a UK Christmas, the telly seems to be part of the family.

The watching of massive amounts of television on Christmas day still feels a bit odd to me, but there’s one thing the UK got just right: Boxing Day. While the 26th is a letdown day for Americans, a day of cleaning and packing up and preparation for work the next day, the British made it into an extension of Christmas itself. From what I can gather, it’s an extra day off work for the sole purpose of lounging in front of the fire, eating leftovers and watching really good television. I’m fairly sure we can all recognize the pure genius of that plan. I may never develop a taste for Christmas pudding, but from now on, I plan to celebrate Boxing Day wherever I live — starting now. Pass the remote, please.

What about you? Are you a Christmas television watcher? What shows claimed your attention this year?

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Happy Holidays

Pop Vultures would like to wish you and yours the happiest of holidays, however you choose to celebrate it. Me, I’ve actually turned the television off for a few days, in order to better focus on family, food and drink. Let me know if I’ve missed anything important.

Normal service will resume once I recover from the food coma.

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TV Blog Coalition: Dec. 21-23

TV Blog Coalition

BuzzSugar: This week, we got pumped about new previews for Lost and Heroes, celebrated the addition of Saved by the Bell to The N, and asked one very important question: Team Serena or Team Blair?

Daemon’s TV: This week Sandie took a first look at pictures from the second season of Jericho. Araya posted part three of our interview with the cast of Chuck, including Zachary Levi, Yvonne Strahovski, and Adam Baldwin. Eric shared his thoughts on the pilot of Terminator: The Sarah Connor Chronicles.

Glowy Box: After answering some googled questions about Janice Dickinson Modeling Agency and Cash and Treasures, Liz celebrated the holiday season by recapping Pinocchio’s Christmas, which was surprisingly lacking in likeable characters, and Santa Claus is Comin’ to Town, the classic Christmastime ode to freedom and Democracy.

Mikey Likes TV: The graciously closure-filled season finale of Dexter put Mikey in the holiday spirit, so he started his countdown of the top 10 shows of 2007 with a look at why he loves 30 Rock so much. If anyone out there has a copy of the Who Dat Ninga? poster, it’s all he really wants for Christmas.

Pop Vultures: Here at PV, Marcia continued her obsession with TV’s opening titles by naming the 5 best opening credits sequences, although she’s fairly certain no one will agree with her choices. She then managed to gather her thoughts about the Dexter season finale. Also, guest poster Tracey checked in with a woman-on-the-scene report from Monday’s strike lines.

RTVW: This week our TV Advent Calendar featured a bonus Bones scene under the mistletoe and we sounded off about our favorite holiday TV. Plus, Rae wondered how an episode of Scarecrow & Mrs King could still be considered “promotional.”

Scooter McGavin’s 9th Green: As the television season winds to a grinding halt, you can always reminisce the past year by going through Scooter’s 57 Channels and Only This Is On archives to relive the highs and lows of the season (or if only to check out the previous Gratuitous Token Hot Chick Picture of the Week). Still need something to get that annoying cousin for Christmas who thinks he’s ghetto despite living in suburbia? Try the new Lupe Fiasco album. And a Christmas movie with Olive Snook, Maeby Fünke, and Hurley has to be good, right?

Tapeworthy: Merry Ludachristmas! Vance went to “30 Rock” in New York and saw Christmas marathon of stage shows, including the Rockettes, Wintuk and The Grinch Musical (and the White Christmas The Musical back in Toronto). Also back in Toronto, Project Runway Canada had its finale with host Iman getting her regal final word in.

Televisionary: This week, Jace was blown away by the sheer genius of Ricky Gervais and Stephen Merchant’s series-ender special of Extras, enraptured by the extended trailer for Season Four of Lost, and felt justified with his picks for the best TV of 2007.

TiFaux: This week, we ended up watching more TV on the internet than on the actual tube. That is, shows produced exclusively for the internet. First, there’s the indie rock/comedy duo of Carrie Brownstein (of Sleater-Kinney) and Fred Armisen (of SNL) who produce the pretty darn funny Thunderant series. Then, there’s hipster comedians Gabe and Jenny, who created an awesome clip spoofing The Hills. Rounding out the week, Kyle noticed a weird similarity between Pushing Daisies and Bill Murray’s Groundhog Day.

The TV Addict: offered up an early review of TERMINATOR: THE SARAH CONNOR CHRONICLES, interviewed SMALLVILLE’s Allison Mack and Krisin Kreuk and wrote an Ode to JOURNEYMAN.

Tube Talk: Jennifer overdosed on Christmas movies, Ashley shared her favorite TV holiday episodes and readers chimed in with their choices, too, (Chrismukkah and Happy Festivus anyone?) and we rejoiced at the news that Pete Ross was returning to Smallville. Merry Christmas everyone!

TV Filter: Raoul interviewed Todd from Survivor. Kate discovered, much to her dismay, that she liked Crowned: The Mother of All Pageants and counted down her favorite not-too-Christmassy Christmas episodes of the past.

TV With MeeVee: We talked to Donald Trump and Gene Simmons - yup - about the upcoming “Celebrity Apprentice.” We rocked the news that “Gossip Girl” star Ed Westwick has a rock band. And we taught you how to identify Cylons without having sex with them.

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The Episode About Racism in Which No One Learns a Damn Thing [Beverly Hills 90210]

Beverly Hills 90210

Beverly Hills 90210, S01 EP4: One on One

Last week, Brandon finally lost his virginity and behaved like a pompous arse; this week, Brandon exposes himself as a giant racist, flails about trying to blame other people, and finally manages to wriggle out of facing up to it and thereby becoming a half-decent person. I should possibly warn you in advance that I may have missed certain details of this episode as I found myself blinded with rage while watching it.

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5 Best Television Opening Credits

I am still obsessed with opening credits, but this week I’m switching the focus from the theme songs to the actual images. While most shows simply set a bunch of clips to music, a few recognize the power of an unforgettable opening, something that is visually stunning or humorous or just plain cool, all without recycling images from the show. These five openings all fit the bill in one way or another.

5. Dead Like Me. If Bill & Ted’s Bogus Journey taught us anything (other than the proper technique for a Melvin), it is that an anthropomorphic Death can be really, really funny. Perhaps the creators of this title sequence spent a little too much time watching that film in their teens, but they can be forgiven if this is the result. It’s quirky, fun, and proof that Death has a killer crossover dribble. I’ve never even seen this show — a friend recommended this clip when I told her I was compiling this list — but after watching the clip below more than once and giggling all the way through each time, I want to. That has to be the best proof of a good opening.

4. Deadwood. It’s not just my bias for the show that leads me to include this one. The Deadwood credits have arguably the best cinematography of any opening sequence, ever. Who knew dirt, blood and filthy miners could look so good? The juxtaposition of the running horse with the grimier images serves as a perfect intro to the show’s theme of the quest for freedom in a harsh land. However, you don’t need to play Fun With Semiotics to still appreciate the beauty of this intro.

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Quizzing It Up With the BBC

It is my contention that nobody does the satirical panel quiz show quite like the BBC. And to support my argument, I would like to draw your attention to Have I Got News For You and QI.

Have I Got News For YouHave I Got News For You has been running for so long that I remember a time when I wasn’t allowed to watch it because it aired after 9pm. Specifically, it’s been going for 17 years now, and in all that time it hasn’t changed much. The two team captains, Ian Hislop and Paul Merton, have been there the whole time. Angus Deayton hosted from 1990 to 2002, until he accidentally tripped over and slept with a prostitute while snorting cocaine and made the unforgivable error of letting the tabloid press find out about it. Since then, the show has used guest hosts, with varying degrees of success. But despite the changes, it’s still a laugh-out-loud, deliciously sneery review of the week in news and politics, constantly flirting with scandal and occasionally going too far into libel. There is no other show that can make me find all the dire things that are going on in the world quite so hilarious.

Stephen Fry QIQI wins right from the start by having Stephen Fry present it, because I love Stephen Fry from the bottom of my heart and would happily watch half an hour of him reading the phone book. The fact that he prefers to spend his half an hour presenting a brilliantly funny and engaging panel quiz is just icing, really. As the programme’s name is short for ‘Quite Interesting’, teams are awarded points based on how interesting Fry finds their answers to his questions. It is thanks entirely to QI that I now know that the longest animal in the world is a bootlace worm, and that the language spoken by Bill and Ben the Flowerpot Men is Oddle Poddle. And that’s the sort of knowledge a young woman shouldn’t try to make her way in this world without, I think you’ll agree.

So, there you have it. You can keep your Colbert Reports and your Daily Shows. For my satire all I need is Paul Merton and Ian Hislop competing with each other to see who can say the rudest thing about an MP and still get broadcast, and Stephen Fry being his deliciously intelligent and didactic self. If you somehow haven’t given these shows a look yet, I urge you to do so as soon as possible. I defy you not to love them.

Sadly, neither show can be viewed on U.S. television, as the networks seem to think that Americans will not be fascinated by the lives and loves of Lib Dem politicians. However, you can watch clips of HIGNFY on the show’s website or check out the first episode of QI below, featuring Fry’s onetime partner, Hugh Laurie, debating the size of the dwarf anteater.

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