Archive for the 'reality shows' Category

Model Behaviour on the BBC

britain's missing top modelI am a massive fan of America’s Next Top Model, and the various national off-shoots it has spawned such as Britain’s Next Top Model and Australia’s Next Top Model. I could (and will) quite happily sit on my arse all day long, munching junk food and watching dumb skinny girls fight with each other over who vomited in the sink and didn’t clean it up. Recently, the BBC introduced a serious spin on all this worthless but delicious frivolity with its new show Britain’s Missing Top Model.

The show follows the same structure as ANTM and its ilk. A bunch of girls live together in a ‘model apartment,’ and grow to steadily loathe each other as they are put through bizarre tasks in the name of fashion, and are picked off one by one each week. The big difference with this show, however, is that all the girls in the competition are disabled.

When I first sat down to watch, I felt pretty uneasy about the prospect of watching disabled no-hopers attempt to break into the fashion industry - an industry, which in its shameless and stated pursuit of perfection, clearly doesn’t want them. But bless the BBC for not making this show into a freak-show spectacle. Everybody involved, from the judges (including the editor of Marie Claire and fashion designer Wayne Hemingway) to the Tyra-Banks-stand-in Jonathan Phang, clearly believes that fashion is ready for disabilities, and they’re out to find the girl to prove it.

The disabilities involved range from deafness, to missing limbs, to partial blindness. My favourite contestant by far, Sophie, is a paraplegic. She’s the favourite with the judges too, despite being the most obviously disabled girl, permanently confined to a wheelchair. I’m also fond of Debbie, a Norwegian girl with one arm who once posed for Norwegian Playboy to prove that one-armed girls are still sexy.

My least favourite is an American girl, Jenny, who was disabled in a variety of non-specific ways by a car accident. Jenny seems determined to go out and prove all the British stereotypes about Americans absolutely right, insisting on posing with a crucifix so that she can feel ‘closer to the Lord.’ The judges decided to keep her on despite her ‘personality issues,’ which is a nice way of saying ‘lets give the bolshie Yank another week to get over herself.’

I’ll definitely be tuning in next week to find out what happens to my favourites. But I already find myself rooting, not only for individual contestants to win, but for the show itself to win, and to make its point. I want these girls to be models and I’m pissed off on their behalves that the fashion industry has rejected them. If you too fancy a bit of moral outrage with your trashy-reality-TV-model-contest show, you can catch Britain’s Missing Top Model on the BBC iPlayer, or on BBC3 on Tuesday evenings.

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Nibbling on Top Chef

Top ChefI recently tried to explain to a friend why I watch Top Chef, and I had to admit that my reasoning was a bit weak. “Well, you watch a bunch of chefs cook stuff under frequently ridiculous conditions. Then, you watch the judges eat it, and someone gets sent home.” Are you inspired to tune into Bravo this Wednesday? After writing that, I’m not even sure if I’ll be watching the next episode.

I really have no idea why I watch Top Chef. Granted, it’s a talent-based reality show, which I find far more interesting than the social games played on The Bachelor or Big Brother, but the talent is, at best, a tease. We get to hear about the fabulous dishes, and see them plated in all their glory, but we have no idea what they actually taste like. At least on a show like Project Runway, the audience is in on the judging, able to see the same outfit the judges see. Here, we must rely on the rather snooty palates of the four judges and dream of the day that Taste-o-Vision becomes a reality.

Even next to other cooking shows, it doesn’t quite hold up in theory. It’s not a how-to show, since the damn chefs are always moving too quickly to see what they’re doing. It’s not a cookbook accompaniment, a la Nigella Bites, in which everything shown can be replicated at home (except, of course, for Nigella herself, though I’m sure many wish that recipe would become available). And although the food shown tends to be far more inspiring than that of Hell’s Kitchen, it lacks the lessons in creative profanity that make that show enjoyable.

Last season, I was able to overlook the question of why I watched, mainly because I had a big ole crush on CJ (tall, snarky and he can cook? Pack him up and send him over) and I knew exactly why I was watching. This season seems full of cocky and/or angry contestants, none of whom I care about. Since the people don’t inspire me, the shots of food I can’t eat must do the job.

Perhaps it’s enough just to watch the creativity at work, to marvel that anyone, anywhere came up with the idea of white chocolate wasabi. My own palate may be perfectly happy with macaroni & cheese, but it’s still fun to dream of fine dining.

I just wish I could taste it, too.

What about you? Are there any shows that you’re not quite sure why you watch?

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Doing Anything on the BBC

I’m not sure that anyone does a cheesy reality show quite like the British. Sure, the US may have mastered such competitive fare as Survivor or The Amazing Race, but when we want some tongue-in-cheek fun, we know which nation to turn to for inspiration. After all, the nation that gave us Pop Idol and Strictly Come Dancing (which, of course, spawned American Idol and Dancing With the Stars) knows a thing or two about light-hearted, disposable fun.

I’d Do Anything, which tracks the search for the next West End star — in this case, to play Nancy or the titular role in the musical Oliver! — fits the bill perfectly. It has all the hallmarks of a quality reality show: a diverse cast, heart-breaking human interest stories, and a prize that’s actually worth something. Granted, I’m a sucker for a good musical, so I’m a bit biased, but here are a few more reasons to watch the show:

1. It’s a chance to learn that English people can be just as rubbish as Americans when it comes to mimicking a Cockney accent. Dick Van Dyke can sleep a bit easier.

2. The show is remarkably self-aware, at least in terms of its own camp value. The fact that each appearance of Andrew Lloyd Webber is greeted with the opening strains of Phantom of the Opera suggests the editors are amused or tipsy, if not both. Plus, it’s hosted by the camp-tastic Graham Norton. American Idol should be so lucky.

3. Unlike most American reality shows, the writers assume that the audience already knows a thing or two, happily including the phrase “scarier than Bill Sykes with a hangover” without a note of explanation.

4. Two words: John Barrowman. He may be dark and grim on Torchwood these days, but he spends his time on I’ll Do Anything randomly breaking into song with a gigantic grin on his face or showing off his bum in an effort to demonstrate how dirty Nancy should be. The man is irresistible.

5. Repeated use of the phrase, “You’re going to nancy school!” It just never gets old.

I’d Do Anything airs on BBC1, 7pm, Saturday, or all week on the BBC iPlayer for those who refuse to stay home on a Saturday night to watch a reality show (or at least refuse to admit it).

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Project Runway Wraps It Up

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Project Runway, S04 E14: Finale Pt. 2

Previously on Project Runway: Rami and Chris had a last minute designer showdown (and oh, how I wish it was held at high noon in the middle of Bloomingdale’s), with Rami’s draping beating out Chris’s gothic wonders. This week: the final designers show and a winner is crowned at last.

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Project Runway Heads for the Finish Line

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Project Runway, S04 E13: Finale, Part 1

Previously on Project Runway: Sweet P made her last cute but commercial dress and was eliminated. The judges pretended that they couldn’t decide whether Rami or Chris should be eliminated and kept them both, under the condition that they’d have a runway-off, with only the winner making the top 3. Keep reading to find out who’s in.

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Project Runway Puts on an Art Show

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Project Runway, S04 E11: The Art of Fashion

Previously on Project Runway: the universe righted itself when Ricky and his ugly hats were aufed at long last. This week: the designers are asked to design outfits based on pieces from the Metropolitan Museum of Art and do a pretty good job of not screwing it up.

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Project Runway Puts Us in a Chokehold

Project Runway, S04 E10: Raw Talent

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Previously on Project Runway: the designers had to make iconic looks out of denim and it turned out to be Opposite Day, since somehow Ricky, of all people, won the challenge. On the other hand, Victorya went home, much to the delight of my spell checker. This week: despite Ricky’s continuing presence on the show, this may be the greatest episode EVER, as the designers are asked to make clothes for wrestling divas.

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Comfort Television

There are a few shows that the BBC makes which I have always found curiously compelling, even though, on the surface, they have very little to recommend them. These are the shows that I will watch when there’s nothing else on, or when I have to do the ironing, or when I can’t quite be bothered to get up from the sofa and do something more productive. In planning this post, I realised that it’s very difficult to say why I like them so much. But this would be a pretty crappy entry if I just wrote ‘I like these shows, I don’t know why.’ So I’m going to have a go at explaining my curious affection for some apparently boring and rubbish TV. Bear with me.

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Project Runway Gets the Blues

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Project Runway, S04 E09: Even Designers Get the Blues

Previously on Project Runway: Ricky continued to be touched by some angel with really bad fashion sense, as he was saved while his partner Kit went home. This week: the designers are given piles of denim and asked to create their own iconic design. I’m not sure if it’s possible do instantly decide if something is iconic, but I’m not a major jeans company paying top sponsor dollars, so what do I know?

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Project Runway Puts Us On Garde

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Project Runway, S04 E08: On Garde

Last week: the world wept when Kevin was sent home instead of Ricky in the prom dress challenge. This week: the designers are asked to make avant garde outfits. Several of them prove they don’t know what that term means.

For the second week in a row, the first scene is NOT a discussion of how much they miss the aufed designer. Come on, editors! You can’t give the sad edit to freaking Simone and not to Kevin. Instead, we get to watch Christian discussing his near aufing last week while doing his hair, a feat that seems to involve a flat iron, two brushes and a staggering amount of self-love. I’m sure you’ll all be relieved to know that his ego has not taken the slightest dent, as he remains convinced that he should not have been in the bottom two and continues to blame his client from hell.

Ricky then interviews that he realizes he has a lot of work to do, a statement so obvious that the Flat Earth Society pause to wonder if he’s a bit dense. “I’ll miss Kevin, but I’m glad it’s not me.” Well, that makes one of you.

On the runway, it’s model swap time! The women are all having really bad hair days. It turns out that their challenge is to design an avant garde outfit inspired by such winning hairdos as this:

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