Archive for the 'writers' strike' Category

Writers’ Strike Linkapalooza

Hooray! The strike’s over! Now what?

Kristin over at E! Online is earning her paycheck, tracking down various showrunners to get the scoop on when we can expect shows to return. The Ausiello Report also contains a long list of shows and their current status. The good news: Battlestar Galactica is expected to have a complete final season, though some of it may air in the fall. The bad news: Friday Night Lights may have shut down production for good. Watch this space for news of various Save Our Shows campaign for that one. (Seriously, I just lost Veronica Mars, and now they want to take FNL away, too? Don’t go breaking my heart, NBC.)

Of course, the ink hasn’t even dried on the voting ballots and people are already debating who won and whether it was worth the cost. The Hollywood Reporter estimates that the strike came with a $2 billion price tag, and Variety considers how production conditions have changed due to the strike. (Short version: they might have changed. Maybe. No one really knows.)

And, if you want painfully detailed, up-to-the-minute updates on Tuesday’s vote, keep your eye on Deadline Hollywood.

And now, go crack open a beer and put your feet up, knowing that you suffered — SUFFERED, I say — through months of bad reality TV and reruns, all for the greater good.

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Praise Be!

The writers’ strike is over!

Short version: it still hasn’t been put to a vote (a 48-hour voting window has been set up), but after weekend meetings in New York and LA, the deal appears to have more than enough support. Showrunners and writers with producing duties will be back at work tomorrow, with the writers returning Wednesday.

What this means for our favorite shows is yet to be determined, but there is the teeniest, tiniest grain of hope that a few more episodes of some shows may still be salvaged from the wreck. Details to follow, I’m sure.

As always, for the most up-to-date information, head over to United Hollywood.

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Adopt A Writer: Eric Estrin

adopt a writerPop Vultures is proud to participate in the Adopt A Writer project, in which TV bloggers interview WGA members. We were thrilled to ‘adopt’ Eric Estrin and hear his perspective on the strike.

Eric Estrin is a long-time member of the WGA, with television credits going back over twenty years. He has written for such diverse shows as Miami Vice, Murder, She Wrote and The Outer Limits and has also served as writer/producer on V.I.P. Fergus and Marcia had a chance to ask him about the Writers’ Guild strike, and why it had to happen.

Continue reading ‘Adopt A Writer: Eric Estrin’

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Why I Watch

Have you discovered Why We Write yet? Few sites do such a good job of putting a human face to the writers behind the strike and you should definitely check it out.

RTVW answered with an explanation of why they watch, which is something I’ve been thinking about a bit recently. See, television ratings haven’t actually dropped since the strike. There are fewer and fewer original programs left to air, but people keep tuning in to whatever crap reality TV is on that night. We lose The Office, and American Gladiator becomes a huge hit. That ain’t right, people.

It can’t be that we watch just because we have nothing else to do, can it? Or out of habit? Or because, if we don’t watch television each night, we might have to talk to each other? I have been a staunch defender of television, and part of my argument is that people choose to watch because they enjoy characters and good stories, not because they are sad and pathetic drones who would rather be passively entertained than think for themselves. And I still believe that’s true, despite the fact that people chose to watch Crowned. Maybe I’m a blind optimist, but I’m okay with that.

Why do I watch? Because when television is good, it can create a whole new world. This can be the mythology-laden world of Buffy or Battlestar Galactica or the painful realism of The Wire. No one ever has to apologize for reading books, but the most common argument in favor of reading is that it opens new worlds. Well, I’m pretty sure I never would have made it to Dillon, Texas without Friday Night Lights, so I’m not apologizing for watching TV, either. I can already hear the nay-sayers, insisting that books demand imagination while television spoon-feeds its viewers. Clearly, these people have never tried to interpret one of Michael C. Hall’s expressions or visualized the Firefly universe beyond what was shown on screen. Perhaps they have difficulty viewing the television from their soapboxes.

I watch TV for the stories. I’ve already gone on at length about this subject in this blog’s very first post, so I won’t repeat myself. I’ll only add that I’m eager to wrap this post up so I can watch the third episode of The Sarah Connor Chronicles. I want to know what happens. I’m curious and intrigued and already building scenarios in my head, because that’s what a good story does. It carries you away and involves you. When captivated by a story, you draw parallels to your own life, consider things from a new perspective, find new things to care about. There is nothing passive about it.

(Edited to add that I just watched the episode, and it really wasn’t very good. Stupid Fox, trying to ruin my perfectly valid point.)

I watch TV for the characters. Yes, I know they’re fictional…except, not really. Each character came from a writer’s pen, drawn from their own knowledge and desires and fears, and then brought to life by an actor, who infuses the role with their experiences, and then watched by a viewer, who interprets it through their experiences. You get the idea. Watching complex characters interact over multiple episodes is a crash course in psychology. Television can’t be a place to hide from the real world; it’s all right there on the screen.

Maybe people are still watching because the hamtastic posturing of American Gladiator can temporarily fill that need for characters, for stories, for other worlds. But it’s just a placebo, and I can’t see the effect lasting for too long. Eventually, we’ll need the real deal. And I hope that’s not just the blind optimism talking.

What about you? Why do you watch?

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Tidbits for January 15, 2008

  • Have you finally decided whether you prefer the US or UK version of The Office? Well, another country is about to add its own incompetent boss and his wacky employees to the airwaves. Chile has just licensed its own version of the sitcom. I am resisting making a “I feel God in this Chile’s tonight” joke, but just barely.
  • There are some potential, thoroughly unconfirmed developments in the writers’ strike. Rumor has it that the Director’s Guild of America has reached an agreement with the AMPTP. If this is true, the deal could serve as a template for the WGA. In addition, the WGA has hinted that they will refuse to grant a waiver for the Grammy Awards, suggesting that no SGA talent will be attending. How would a dearth of actors affect a music awards ceremony? Variety sums it up rather neatly:

    This year also has a substantial number of nominated musicians who have appeared in films and on TV. Chief among them are Justin Timberlake, Queen Latifah, Tim McGraw, Beyonce, Jack White, Jon Bon Jovi, T.I. and Fantasia. Among the nominees who have historically not crossed picket lines are Bruce Springsteen, the Beastie Boys, Joni Mitchell, John Mellencamp and Steve Earle.

    Someday, I will write a tidbit about the strike without overuse of the words “rumor”, “if”, “could” and “unconfirmed”. Sadly, today is not that day.

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Tidbits for January 8, 2008

Tidbits took a holiday break, but it’s finally recovered from the egg nog hangover long enough to bring you the condensed version of all the writers’ strike news you could want.

  • Did you hear that the strike is still on? There are, however, some teeny, tiny encouraging signs. David Letterman’s Worldwide Pants production company successfully negotiated its own contract with the WGA, and the Tom Cruise-led United Artists recently followed suit. Though I am terribly confused to find myself supporting anything Tom Cruise does, I can only hope the pint-sized weirdo has started a trend that will quickly snowball. Some are predicting that the Weinsteins will soon follow his lead.
  • Hollywood’s self-congratulatory awards ceremonies look to be the next strike victims. Deadline Hollywood is reporting that the big Golden Globes televised ceremony has been cancelled, due to the complete lack of writers or actors willing to cross picket lines. The little gold men of the Oscars are starting to get really nervous. NBC plans to replace the broadcast with news segments, which sadly offers far less opportunity for drunken viewing parties.
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Walking the Line

Today’s post comes from guest writer Tracey S. Rosenberg, who spent Monday walking the WGA Universal strike line and kindly reported back with her findings.

What does a writer do when she has a morning free in Los Angeles? First, she puts on her vintage ‘I survived the Writer’s Guild Strike 1988′ t-shirt and her Imagineering bomber jacket (circa 1992, when Mom was part of the Disney family). Then she finds a picket line of striking Writers Guild of America writers, wondering what she will find there. Angry writers in baseball caps bashing their signs against the studio gates?

In order to talk to the striking writers, though, she has to locate them.

Continue reading ‘Walking the Line’

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Tidbits for December 18, 2007

  • How about some strike news? Now that the AMPTP have completely blocked negotiations until the writers stop being so unreasonable in their demands for fair and equitable compensation, Variety reports that the WGA are looking to negotiate individually with the studios. One to watch will be David Letterman’s Worldwide Pants production company, which is looking to make a deal with the writers in order to get back on air sooner rather than later.
  • How about a few trailers for shows of which we’ll only see half the season, courtesy of said strike? Both Lost and Battlestar Galactica have released promos for their upcoming seasons, and, having watched them, all I can say is DAMN YOU, AMPTP. Damn you very much.
    Lost:

    Battlestar Galactica:

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Tidbits for December 4

  • Some might call this the smoking gun. The Financial Times estimates that the four US networks are earning approximately $120 million in online ad revenue in 2007. This makes the AMPTP’s offer of $139 to the writers for a year of unlimited online reruns seem a bit paltry by comparison. The writers, needless to say, turned down that offer. Although talks are scheduled to resume today, the current mood is less than optimistic, with some predicting that the strike may drag on as late as March. As usual, United Hollywood has all the scoop.
  • Of course, the writers should win not only because they are the toiling, salt-of-the-earth underdogs to the studios’ cigar-chomping, Armani-wearing, Hollywood-Hills-home owning Goliaths. They also have the best campaign. Courtesy of a Colbert Report writer:
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Tidbits for November 27

  • Still struggling to figure out who to vote for next November? Confused about the candidates’ stances on health care or welfare reform? Well, that’s likely because they’re avoiding saying anything concrete that can come back to haunt them later. However, they have gone on record with their favorite television shows. I have a whole new appreciation for Barack Obama based solely on the fact that he listed The Wire among his favorites, whereas Hillary Clinton’s choice of Dancing With the Stars has caused me to reevaluate her fitness for office.
  • Despite the news blackout on the current talks between the writers and producers, Deadline Hollywood is reporting rumors that a basic agreement is already in place. They also say not to expect any resolution this week. Well, that’s an exciting bit of completely unsubstantiated reporting. Still, I’ve got my fingers crossed that this maybe news turns out be the real deal. No one living in a civilized society should be forced to watch reality TV for the whole of 2008.
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