Tag Archive for 'battlestar-galactica'

5 Great Plot Twists

Sometimes, there is a fine line between surprising the audience with a completely unexpected plot development and jumping the shark, but when a show does it right, the viewers will be discussing it for weeks, and sometimes years, after the fact. I’m not talking about some “Bobby in the shower” kind of plot twist, either. The best twists manage to utterly surprise the audience while still being necessary to the plot. Often, looking back, it’s clear the writers have been preparing us for multiple episodes — even seasons — and we just never knew which clues to look for. Here, then, are 5 great plot twists that spring to mind.

Warning: Spoilers ahoy. Read at your own peril and use the scroll bar liberally if necessary.

5. Lost, Season 3 Finale
Why the twist was great:
The show was treading water, returning to flashbacks we’d seen before and revealing precious little new information — and the viewing figures reflected this. Then, Crazy Drunken Beardo Jack yelled that they had to go back to the island, and everything changed. Since most people thought the show’s focus was simply on whether or not they ever got off the island, no one really thought to ask what happened afterwards. It opened up a whole new element of the story, expanding the show’s possibilities and suggesting a very different endgame than the first three seasons had. Plus, it meant we never had to suffer through another “Kate-on-the-run” flashback again.

4. Dexter, Season 1
Why the twist was great:
After Dexter spent a large part of the first season complaining that no one could ever really understand him, we should have seen this coming: Dexter has a brother, and his brother has the same questionable hobby of hacking people up into little pieces. This is a perfect example of a twist that made absolute sense and only furthered the plots and themes the show had been developing. When Dexter was forced to choose between the brother that wanted him to remain a cold-blooded killer and the sister of whom he was rather “fond,” his choice gave us hope that, perhaps, Dexter was a much nicer serial killer than we’d originally thought.

3. Melrose Place, Season 2
Why the twist was great:
You can find out how old someone is by asking if they remember Kimberly ripping off her wig, because that scene was one of the defining moments of early 90s TV and is permanently ingrained in the minds of everyone who watched. Looking back, it’s hard to pinpoint exactly why. The scene relied on the cheesy synthesized tunes of which the show was so fond, which really should have taken us entirely out of the moment. However, up till this point the show had been an over-the-top relationship drama, more about swapping partners than rediscovering that the girlfriend with whom you’d cheated on your wife had returned from the dead with a horrible scalp scar from brain surgery. When that wig got ripped off, we knew the show was about to rewrite all its own rules, and that was fabulous.

2. 24, Season 1
Why it was great:
Once, many years ago, 24 was a really good series. Now, it’s become something of a parody of itself, with a new! shocking! plot twist thrown into every episode, usually leading to some sort of gaping plot hole through which you could fly a DC-10. There was a time, however, when it seemed like the writers actually planned the season arc in advance and there wasn’t yet an entry in the 24 drinking game for “a mole is found at CTU.” When Nina, Jack Bauer’s co-worker and close friend, was revealed as the mole before shooting Bauer’s wife, the audience was stunned. It was the first betrayal, and the first death of a major character. These days, you may get that every other episode, but there’s no time like the first time.

1. Battlestar Galactica, Season 3
Why it was great:
You knew this would be here, didn’t you? Of course it would be. Although I toyed with the ending of the pilot episode, when cloned Boomer suddenly appeared out of nowhere, it just didn’t have the same emotional impact as the end of the third season. We all knew, or at least suspected, that the remaining Cylons were aboard the Galactica, but perhaps we were hoping that it wouldn’t be characters we actually liked. Also, the viewers expected one, or maybe two Cylons to be revealed at a time, and the show went and dropped four of them on us, all of them with some connection to the remainder of the cast. If that’s not enough, we also have to question the significance of the very Earthly Jimi Hendrix tune. They didn’t actually rewrite the rules mid-show, but it sure felt like they were playing a whole new game.

Embedding is disabled on the YouTube clip, but you can watch it here.

What about you? What plot twists do you remember? And let’s try to keep the comments somewhat spoiler-safe by putting any show titles in bold for skimming ease. Thanks!

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Tuesday Tidbits

  • Are you feeling the Battlestar Galactica love the way I am? Does Friday seem really far away? To tide you over, here are two crazy theories on who might be the final Cylon. Since I think every possible character has been repeatedly guessed by now, I’m going out on a limb and saying that it’s gotta be that kid they saved from New Caprica in the pilot. Admit it — no one would see that coming
  • Want more? How about the BSG cast drawn in the style of the Simpsons? The Wire has also been given the Simpsons treatment.
  • Forget all those other Lost questions. Defamer has uncovered the island’s greatest mystery: what happened to all the body hair? The Lost showrunners turned up on Jimmy Kimmel, where they avoided answering that or any other question. It was just like watching the show itself.
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TV with PV: May 2

Again, it’s Friday night, and there’s only one show I care about. Yep, it’s Battlestar Galactica night. This week, the crew finally finds Earth. No, not really. (Sci-Fi, 10:00)

US viewers can also watch Doctor Who land in Pompeii at a most unfortunate time. (Sci-Fi, 9:00)

In the UK, worlds collide when the fabulous Dame Helen Mirren meets up with the boys from Top Gear. (BBC3, 8:05)

Also in the UK, Pushing Daisies has its rather unseasonal Halloween episode, featuring a murderous horseman and the usual lovelorn drama. (ITV1, 9:10)

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One Frakking Great Show

Each week, when I watch Battlestar Galactica, I feel a wee bit nervous. Will this be the week the show suddenly stops being fabulous? Will it somehow take a wrong turn, make Baltar humble, or the president infallible, or force Starbuck to deal with her issues in therapy? And, each week, I can only lean back after the episode and say, “Frak, that was good.” Because, yes, I do say frak. You got a problem with that?

It’s not that the show hasn’t had its missteps — some fans are still bitter about the black market episode — but overall it has been terribly consistent, not just in quality but in characterization and themes, and this fourth (and final) season has been remarkable in the way it has woven together elements from previous seasons. Much like Lost, having a fixed end point has only benefited the show, as suddenly there is no treading water: each episode, each scene matters - and are they ever making the most of it.

After the jump, thoughts and spoilers on the season so far.

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TV with PV: April 25

After the wealth of quality television that is once again on Thursday night, Friday is quiet, with only one show on the schedule — but oh, what a show.

Battlestar Galactica remains my can’t-miss show. Unplug your phone, refuse to answer the door, and see what happens now that Gaius Baltar has become a true believer. I also suspect the new Cylons will continue to have issues. (Sci-Fi, 10:00pm)

If you’re in the US, you should also tune in for the return of Doctor Who, featuring Catherine Tate and at least 75% less shrieking than she exhibited in the 2006 Christmas special. (Sci-Fi, 9:00)

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The Post-Strike TV Slump

Something rather unexpected has happened recently. I’m not enjoying TV as much. I’m sure it’s just a phase; you can’t keep a good couch potato down for long. However, as the post-strike episodes begin to trickle onto the airwaves, I find myself with the same response over and over again: yawn.

After waiting months for The Office to return, it does so with an episode set almost entirely in Michael’s condo, and while the episode contained all the awkward, borderline painful humor we’ve come to expect, it didn’t include the supporting characters that make the show so perfect. It’s been months — couldn’t they let us know how Stanley is doing? It didn’t help that the episode focused too much on Jan, since my one issue with the show is the way they’ve assassinated her character.

What about How I Met Your Mother? It came back with a much-heralded guest appearance by a certain pop starlet with mental heath issues, but hasn’t felt newsworthy otherwise. Part of the show’s charm comes from the lunatic convergence of multiple plots, and recent episodes have only had one predictable story to tell. Barney deserves better, damn it.

Granted, it can’t be easy to get back into the writing groove after months of walking the picket lines, but something feels off on so many shows, and I’m not sure whether it’s because the writers are out of practice writing or I’m out of practice viewing. After all, there are plenty of shows that weren’t affected by the strike that still haven’t been very good.

Men in Trees had all of its episodes filmed long before the strike, and it’s still boring me senseless. Sure, the show is a light-hearted character drama, but shouldn’t it contain some basic signs of a plot? I’m not asking for much, just enough so I can remember what happened the next day. At the moment, the only thing I’m sure of is that some new hockey player is in town and someone else still has amnesia. If it wasn’t for the fact that it feeds my longtime fantasy of living in a mountain cabin in Alaska, I’m not sure I’d be tuning in at all.

Then there’s Ashes to Ashes, a show I was downright giddy to see premiere and then quickly forgot about. Even the divine presence of Gene Hunt couldn’t hold my attention from the self-conscious and soulless depiction of the 80s. I found myself actually forgetting to watch it when it aired and eventually even stopped catching up on the BBC iPlayer. So far as I know, Alex Drake is forever trapped in 1983. She may never get to hear the Purple Rain soundtrack, in that case, a far crueler fate than being forced to relive the fashion.

Honestly, if it wasn’t for Battlestar Galactica, a show that is so damn good I want to tongue-kiss everyone who makes it, I’d worry that I was bored with television. That can’t be, can it? It’s got to be just a phase, one that will certainly end this month with the return of Gossip Girl, Ugly Betty and Supernatural, right? I’ll get my fabulous characters and stories back, and won’t have to resort to any desperate measures like, you know, getting off the sofa.

What about you? Are you enjoying the return of scripted television, or are you finding it hard to get back into the swing of things?

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5 Best TV Characters (At the Moment)

Last week, Scooter asked fellow TV bloggers to compile a list of their current favorite television characters. What better way to celebrate the slow return of scripted television than by honoring those characters that keep us tuning in each week? This Friday 5 names my personal favorites, though I’ve got to say, it was nearly impossible to narrow it down to five, and the list changed at least six times. Ask me again tomorrow, and I may have different answers, but this is my absolute most up-to-date list of my five favorite characters.

5. Peggy Olson (Elizabeth Moss)
The Show: Mad Men
Peggy Mad MenWhy the Character is Awesome: Though I started watching Mad Men when it first aired, I wandered away and forgot to return. I thought it might be a bit like The Sopranos was for me: an excellent show peopled with characters that I didn’t actually care about. And yet, after about a month away from the show, I started wondering what Peggy Olson was up to. Somehow or other, that simultaneously timid and ballsy “new girl” in the steno pool had got under my skin. I had to know if she was ever given copywriting jobs, or moved out of the boroughs, or if she ever got around to punching Pete in the face (answers: yes, no and, sadly, no). Peggy is a bundle of contradictions. She calls building security during an out-of-control office party because it’s the right thing to do, but doesn’t hesitate to sleep with a married man. She aspires to the high-class Manhattan lifestyle, but refuses to apologize when she gains too much weight to look the part. She manages to be both the scared ingenue and the ambitious future ad exec and is equally believable in both aspects of the role. It is that split that will keep me tuning in next season. I want to know which side of Peggy will eventually triumph.

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5 Best Television Robots

In honor of this week’s season finale of the cyborg-infested Terminator: The Sarah Connor Chronicles, today’s Friday 5 celebrates the best artificial lifeforms on television. Sure, they’re electronic, but that doesn’t mean they don’t want praise from time to time.

buffybot5. Buffybot (Buffy the Vampire Slayer). Sometimes, I worry that I mention Buffy too much, but considering how much ground the show covered in its seven seasons, it’s often hard not to. After all, it’s not every vampire-based show that manages to seamlessly blend robots into the storyline. The Buffy-bot was originally commissioned by Spike for his personal plaything, as he apparently felt that it was beneath the dignity of a centuries-old vampire to purchase a Real Doll. The creepiness inherent in that particular act ensured I never jumped on any sort of Buffy/Spike ship, but the Buffybot herself ended up having a far more exciting life than the typical sex toy gets to lead. Not only did she help save the world from Glory and double as Buffy during one of her inconvenient deaths, but she ended up with her own action figure. What more could a robot want?

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Tidbits for March 5, 2008

  • The CW is making sure we never again need to look at old, ugly people on our televisions. The network has announced five series that get to live another year, including the fabulous Supernatural and the bitchtastic Gossip Girl. Smallville, One Tree Hill and America’s Next Top Model also made the cut. Plus, they’ve ordered a pilot for Rich Girls, yet another show about the pretty and privileged people. I’m sure it will be as classy as it sounds.
  • I begged for it. I pleaded for it. I might even have dreamed about it. And now, human tetris may be coming to the U.S. Fox (of course) has ordered a pilot of Hole in the Wall, quite possibly the greatest Japanese game show ever. (Snarkerati)
  • With one month to go before Battlestar Galactica’s season 4 premiere, you have plenty of time to watch seasons 1-3 in preparation for what is certain to be a mind-blowing season of television. Or you could cheat and watch the video below to get completely caught up on all the hot Cylon action. If you are planning on watching the DVDs at any point, you might want to skip this, however. It’s got a few spoilers in it.

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Tidbits for February 19, 2008: The Super-Sized Edition

I’ve gotten a bit behind on reporting the news this last week, an unfortunate side effect of living in a society that insists on practicing a service-for-currency system. It seems ludicrous that work should ever take priority over television reporting, I know. In an attempt to get caught up, today’s tidbits are coming at you in super-sized form.

  • CBS has renewed 11 shows for next season, among them Cold Case, NCIS, Ghost Whisperer, The Big Bang Theory, and all three CSIs. Looking at this list, I am reminded of how little I actually watch or care about CBS. Worryingly, How I Met Your Mother is not on the list, though it has been picked up for nine more episodes this year, indicating that the network has yet to give up on it.
  • What Would Riggins Do?  Save Friday Night Lights!Which is, sadly, more support than Friday Night Lights is currently getting from NBC. I have delayed writing about this, clinging to some desperate hope that the NBC bigwigs will pull their heads out of their collective arses and renew the best show currently on network television, but so far there has been nothing but deafening silence coming from the studio bosses on high. Best Week Ever has launched a full-scale Save Our Show campaign. If Jericho fans can do it, so can we, damn it. What would Riggins do, indeed? (Well, Riggins would probably get drunk, end up in bed with some hot neighbor, moon over Lila a bit, and then pass out on the sofa. You can do all that if you want, but sign the petition first, okay?)
  • How about some good news? Season 4 of Battlestar Galactica returns on April 4. Still wondering what the big deal is? Well, if you can’t be bothered to watch the DVDs of previous seasons (and more fool you, I say), the Sci-Fi channel is helpfully airing a half hour special on March 28 to get new viewers caught up on the ins and outs of the space apocalypse action soap opera and contemporary moral allegory.
  • Can’t get enough of Philip Glenister in Life On Mars or Ashes To Ashes? Have Moonlight and Blood Ties failed to sate your desire for television vampires? Then you’ll be pleased to hear that Glenister will be starring in a new ITV drama in the UK. Still untitled, the drama aims to update Bram Stoker’s Dracula in a London setting. At least these bloodsuckers are sensible enough to live where it’s dark and gloomy 3/4 of the year, unlike those foolish Southern California-dwellers of the Buffy series.
  • Finally, for all you aspiring screenwriters, Eric Estrin — who we interviewed for the Adopt A Writer — has officially kicked off the LAObserved Script Project. Break out the Final Draft and see what stories you want to tell. Short on ideas? No worries — just combine the best shows from this post and end up with a football playing vampire with a robotic girlfriend from the future. It will be a surefire hit, I promise.

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